The photo-essay on this page illustrates the process of building a viola, step by step. The process has been divided into nine stages, listed in sequence at the left. Each stage on the list links to its own brief slideshow.

Now it's finally time to take the ribs off of the form and prepare them for gluing on the top and back. The first step is to split the blocks loose. On the corners, I try to remove as much extra wood as I can right away.

Anyone who's taken a tire off a rim knows that sometimes it's possible to do the seemingly impossible, in this case, pulling the larger mold out through a hole that's smaller than it is. I start with one c-bout, pulling it outwards, which expands the rib set just enough to get one corner off. Then I work my way around from there.

In this photo, all that's left to remove from the mold is the lower bout.

With the mold out of the way, the blocks and linings can be trimmed to their final shapes.

The back is glued on first. Since it's critical to get the corners aligned just right, and the c-bouts are difficult to push around, I get the c-bouts accurately positioned and clamped first; then I move on to the upper and lower bouts.

As with the back, a small plane and files are used to make two 45-degree bevels on the squared edge of the viola's top. In turn the angles are shaved off those bevels, resulting in a microscopically-faceted edge which can then be smoothed and rounded with sandpaper. After the edges are rounded, the scoop inside them is re-scraped to define the high point of the edge. In-depth information on this process can be found in this article.

The last thing to do before making the neck is to glue on the top. There will be a small amount of detailing done later, after the neck is set, but the body is now essentially finished!